“Diarra From Detroit” shows what a media merger could cost TV
A Paramount-Warner Bros. merger will mean less diversity and fewer hidden gems.
In “The Valley” finale, Count Bookula drains our patience
In "The Valley" finale, Count Bookula drains our patience
The painful cost of bringing “Children of Blood and Bone” to screen
Author Tomi Adeyemi wants nothing to do with the film version of "Children of Blood and Bone"
“I Want Your Sex” is deliberately unsexy
Gregg Araki's first film in 12 years declares Gen Z's disaffection with sex a problem only shame can solve
Your magical burnout cure is in this Miyazaki film
"Kiki's Delivery Service" is a family movie that holds practical magic for adulthood
How Patti Smith helped Lenny Kaye find his solo voice
After decades collaborating with Patti Smith, Lenny Kaye has finally released his first true solo album
The colonial reckoning “The English Patient” adaptation couldn’t capture
"But Have You Read the Book?" revisits the adaptation of "English Patient" which favored romance over history
The conservative movement’s sporadic anointment of Gen-Z spokeswomen
From Phyllis Schlafly to Emma Waters, a familiar agenda cycle continues
The small-screen seduction of the middle-aged woman
Midlife can be as blissful as "The Five-Star Weekend" or as cathartic as "Ride or Die"
The casting of “The Odyssey” proves Nolan’s muse was star power
The recruitment of Matt Damon and other A-listers to sell "The Odyssey," a Greek myth, makes sense