{"id":102,"date":"2026-05-27T04:41:12","date_gmt":"2026-05-27T04:41:12","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=102"},"modified":"2026-05-27T04:41:12","modified_gmt":"2026-05-27T04:41:12","slug":"amadeus-argues-that-every-great-artist-needs-a-nemesis","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=102","title":{"rendered":"\u201cAmadeus\u201d argues that every great artist needs a nemesis"},"content":{"rendered":"
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In the history of musical beefs, some cuts reign supreme. Kendrick Lamar\u2019s hatred of Drake is common knowledge regardless of whether you own either rapper\u2019s albums. Prince\u2019s shocking death in 2016 gave writers a reason to unearth the shady details of his antagonism toward Michael Jackson. Even classical music listeners have their version in what may be the most legendary rivalry of all \u2014 the one that also-ran Italian composer Antonio Salieri supposedly nursed with Wolfgang Amadeus Mozart.\u00a0<\/span><\/p>

Read more Hunter Biden, Candace Owens and the power of \u201cthe Epstein class\u201d<\/a><\/p>\n<\/div>\n

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That friction provided the impetus for Peter Shaffer\u2019s Tony award-winning play \u201cAmadeus,\u201d which\u00a0became a hit movie directed by Milos Forman in 1984. Stage productions of \u201cAmadeus\u201d have run in virtually every decade since its 1979 debut. Forman\u2019s adaptation won eight Academy Awards, including best picture and best director. Now it comes to Starz as a five-part limited series devised by Joe Barton (\u201cBlack Doves\u201d) and starring Paul Bettany as Salieri and Will Sharpe as Mozart.<\/span><\/p>\n

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Now, if my comparing Mozart to Lamar or Prince makes you pause, that tells me you weren\u2019t part of the generation who grew up hearing from music teachers that Mozart was the rock star of his day. I\u2019m not questioning the equivalency, just suggesting that the assertion is slightly off target. Back in the \u201880s, some guy named Falco was a rock star for, like, two minutes when his one-hit wonder \u201cRock Me Amadeus\u201d charted. I would not call his work everlasting. Snippets of Mozart\u2019s, on the other hand, pop up in action movies, video games and TV shows all the time. We take his timelessness for granted in the same way people think anybody can be a star in the Internet age.<\/span><\/p>\n<\/div>\n

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But the lasting lesson \u201cAmadeus\u201d teaches us is that real stars have nemeses.<\/span><\/p>\n<\/div>\n

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Lamar put Drake on blast in his halftime performance at the 2025 Super Bowl \u2013 the climax of which featured his diss track, \u201cNot Like Us,\u201d that only days prior had earned five Grammys. Prince turned down a chance to duet with Jackson on \u201cBad\u201d over what can only be perceived as a power struggle based on the lyrics. \u201cThe first line of that song is, \u2018Your butt is mine,\u2019\u201d <\/span>he told Chris Rock in a 1997 interview<\/span>. \u201cNow I said, \u2018Who\u2019s gonna sing that to who? \u2018Cause you sure ain\u2019t singing it to me and I sure ain\u2019t singing it to you, so right there we got a problem.\u2019\u201d<\/span><\/p>\n<\/div>\n

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Years after their deaths, Prince and MJ still have dedicated followings.\u00a0Currently a movie about Jackson\u2019s early rise, \u201cMichael,\u201d is in theaters and broke box office records in its opening weekend. Neither he nor Prince are around to react to that like Lamar responded in 2024 to his foe with a devastating single he cooked up within 24 hours, and that had millions singing along with it well into the following year.<\/span><\/p>\n<\/div>\n

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Drake, who just dropped three albums on a single day for some reason, has plenty of fans compared to Salieri, who never attained Mozart\u2019s notoriety. At the end of his life, which is where \u201cAmadeus\u201d begins, Salieri views that as God\u2019s great joke.<\/span><\/p>\n

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\"\"<\/figure>\n

(Starz)<\/span> Paul Bettany in \u201cAmadeus.\u201d<\/p><\/div>\n

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In his prime, Salieri was a solid songsmith, popular enough to secure a gig as court composer to Emperor Joseph II in Vienna. But Mozart\u2019s genius obliterates Salieri\u2019s limited talent so utterly that the elder musician is bewitched by it. Following Mozart\u2019s successful debut at court, Salieri cozies up to him and pretends to aid his cause. Quietly, though, Salieri sets about destroying him.<\/span><\/p>\n<\/div>\n

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What most people don\u2019t realize about the \u201cAmadeus\u201d version of Mozart\u2019s story is that historians posit it is almost entirely fictional. Shaffer\u2019s script was inspired by Alexander Pushkin\u2019s 1830 drama, \u201cMozart and Salieri,\u201d which Pushkin spun from rumors circulating in the wake of Mozart\u2019s death. Pushkin\u2019s text eventually became the libretto that Nikolai Rimsky-Korsakov employed in his opera of the same name.\u00a0<\/span><\/p>

Read more \u201cTenacity & gratitude\u201d: 2026 graduations hear strong advice and push back on intentional controversy<\/a><\/p>\n<\/div>\n

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Besides, few would argue Shaffer\u2019s mythmaking lacks representational accuracy. Some of the finest art in the world was inspired by spite-offs, as last year\u2019s PBS documentary series \u201c<\/span>Renaissance: The Blood and The Beauty<\/span>\u201d showcased via the three-way cold war between Michelangelo, Leonardo da Vinci and Raphael. Michelangelo\u2019s burning resentment <\/span>of Da Vinci kept him warm at night, and his hostility toward Raphael fueled his years-long dedication to tagging up the Sistine Chapel\u2019s ceiling. We know this because Charles Dance recites Michelangelo\u2019s snidest journal passages throughout, bringing a welcome pettiness to an otherwise staid chapter of art history.<\/span><\/p>\n

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Two reasons Michelangelo shunned Raphael were his youth and good looks. In that vein, every version of \u201cAmadeus\u201d casts a younger heartthrob as Mozart against whoever plays the crusty Salieri. I mean no offense to Bettany or Michael Sheen, who recently signed on to reprise the role for a West End production <\/span>set for spring of 2027<\/span>.<\/span><\/p>\n<\/div>\n

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But Sharpe\u2019s roles in \u201cThe White Lotus\u201d and \u201cToo Much\u201d make him an appropriate vessel for the lascivious vitality that throbs through Shaffer\u2019s imagined version of Mozart, sharpening the story\u2019s implication that Salieri is losing not only his relevance but his potency.<\/span><\/p>\n<\/div>\n

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Yet Salieri is the role that tends to draw the most critical praise and award notices. While both F. Murray Abraham, who played Salieri, and Tom Hulce, who portrayed Mozart, earned nominations for the 1984 Oscars, Abraham went home with the prize.<\/span><\/p>\n<\/div>\n

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Regardless, parallels between contemporary artists and Mozart diverge when commercial success figures into the picture. Performers of Prince and Lamar\u2019s caliber enjoy the spoils of their popularity. Both also knew their rivals. In Shaffer\u2019s play and its adaptations, Mozart never knew that Salieri was undermining him while he was alive, and his music only achieved massive popularity after he died.<\/span><\/p>\n<\/div>\n

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Meanwhile, Salieri\u2019s invisible seething paralyzes him, turning into the punishment he believes God inflicted on him. \u201cYou put into me the perception of the incomparable,\u201d Bettany version says in a bitterly mournful prayer at the end of the second episode, \u201cand then ensured that I would know myself forever mediocre.\u201d<\/span><\/p>\n<\/div>\n

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Poor man. But that teaches another more cautionary lesson about collecting nemeses: Salieri never figured out how to channel his gnawing envy into motivation. His mistake was to try to destroy a man whose greatest nemesis was himself, and that singular, burning focus of Mozart\u2019s earned him immortality regardless of what his haters threw at him. Just about anybody can rock with that \u2013 including a modern hip-hop artist who transformed a beef into awards gold.<\/span><\/p>

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New episodes of \u201cAmadeus\u201d air Fridays on Starz.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

Out of all the legendary musical beefs, the fable rivalry between Mozart and Antonio Salieri is our greatest <\/p>\n","protected":false},"author":1,"featured_media":100,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[217,4,218,219,220,132,58],"class_list":["post-102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-amadeus","tag-commentary","tag-mozart","tag-mozart-and-salieri","tag-starz","tag-the-swell","tag-tv"],"yoast_head":"\n\u201cAmadeus\u201d argues that every great artist needs a nemesis - Relocation Across America<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationacrossamerica.com\/?p=102\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cAmadeus\u201d argues that every great artist needs a nemesis - 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