{"id":1062,"date":"2026-07-19T16:13:54","date_gmt":"2026-07-19T16:13:54","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=1062"},"modified":"2026-07-19T16:13:54","modified_gmt":"2026-07-19T16:13:54","slug":"a-woman-of-substance-is-a-fiercely-old-fashioned-revenge-saga","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=1062","title":{"rendered":"\u201cA Woman of Substance\u201d is a fiercely old-fashioned revenge saga"},"content":{"rendered":"

Julian Fellowes and \u201cDownton Abbey\u201d really did a number on our common understanding of the upstairs-downstairs social dynamic. It isn\u2019t entirely their fault, to be fair; Fellowes simply had the good luck to meet a historic moment, the end of the Great Recession, with a fable proposing that old-money British aristocrats might also be kind and generous to their happy servants.<\/p>

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Fellowes carries this ideal into \u201cThe Gilded Age\u201d while also creating an aspirational couple, George and Bertha Russell, who came from nothing to conquer old Manhattan society with their wealth and a marriage connection to British nobility.<\/p>\n

\u201cA Woman of Substance,\u201d based on Barbara Taylor Bradford\u2019s 1979 bestseller, is being sold to an American audience as a \u201cDownton Abbey\u201d replacement. That\u2019s not quite accurate. Think of it more as an inversion, with a bottom-up view of its heroine Emma Harte\u2019s life viewed through parallel timelines.<\/p>\n

\n

Rags-to-riches stories tend to be as fabulistic as tales designed to sell the upper class as fair and solicitous to the needs of working people, or amenable to Cinderella fantasies.<\/p>\n<\/div>\n

One finds Emma, played by Brenda Blethyn, in the 1970s when she\u2019s one of the richest women in the world, sitting atop a New York retail empire. As she\u2019s being driven to her office, she\u2019s blindsided by the news that her medical records have been leaked, revealing she is in ill health and sending company shares tumbling. A stunned Emma wonders who could have betrayed her so intimately, and why. After all, she surrounds herself with loyal, protective employees, including her own granddaughter (Mara Huf).<\/p>\n

For answers, the story reels us back to 1911, when young Emma (Jessica Reynolds) scrubbed floors and toilets for the Fairleys, a family of British nobles. The Fairleys aren\u2019t simply unkind, they\u2019re cruel and cannibalistic. Adam Fairley (Emmett J. Scanlan), head of Fairley Hall, is a self-serving fop whose wife, Adele (Leanne Best), hasn\u2019t left her room in ages and drinks from sunrise to sunset.<\/p>\n

Adele\u2019s plainer sister, Olivia (Lydia Leonard), is a spinster with a head for business who strokes Adam\u2019s ego. Meanwhile, their older son, Gerald (Harry Cadby), is an elitist sex pest who abuses the help.<\/p>\n

Emma should know better than to put her faith in her employers\u2019 ability to recognize her intelligence and gumption. Still, she\u2019s not immune to desire and, against her better judgment, falls for Edwin Fairley (Ewan Horrocks), Adam\u2019s youngest son.<\/p>\n

Rags-to-riches stories tend to be as fabulistic as tales designed to sell the upper class as fair and solicitous to the needs of working people, or amenable to Cinderella fantasies. \u201cDownton Abbey\u201d welcomed Tom Branson, a working-class Irishman, into their home and family when the youngest Crawley daughter, Sybil, eloped with him. It\u2019s a nice story, but what happens to Emma is more common.<\/p>\n

Both Emma and Edwin convince themselves that he isn\u2019t at all like the rest of their family. They even exchange rings in secret. When Emma becomes pregnant, Edwin\u2019s refusal to marry her is an ice-water splash to the face, waking her up and kickstarting her climb.<\/p>\n

\n
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(Courtesy of BritBox)<\/span> Jessica Reynolds in \u201cA Woman of Substance.\u201d<\/p><\/div>\n

Emma is not simply heartbroken but angry at herself for allowing romance to distract her. Before we see her secret affair, we meet her dying mother in the cramped cottage she shares with her family. And as Ma gasps her final breaths, she makes her smart little girl promise to never lose sight of her ultimate goal.<\/p>

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Edwin\u2019s slight, then, gives her an additional mission. She decides that her family, including the child she raises alone, will want for nothing. And she will grind the Fairleys into the dust to ensure that happens.<\/p>\n

Despite the vast trove of limited series available these days, over-the-top \u201880s-style melodramas like this, sagas laced with delectable malice, simply do not exist today. \u201cA Woman of Substance\u201d reminds me of how much I\u2019ve missed them, and it also makes me wonder if we might be ready for more of its kind.<\/p>\n

When Bradford\u2019s story was first adapted back in 1985, they set a viewership record for Channel 4, with 13.8 million tuning in for the finale. That was a one-time affair, while the new series has already earned a second season in response to its popularity in the UK, where Channel 4 streaming bragged that it is its most-watched drama in five years, averaging 3 million viewers per episode.<\/p>\n

Notably, the show didn\u2019t hook viewers with sex or other salacious material but, rather, plausible portrayals of greed and motivating vindictiveness. The Fairleys\u2019 callousness toward each other mirrors the messy family dynamics of the Murdochs, the Trumps, the Musks and other astronomically wealthy families. We want nothing to do with them, yet they\u2019ve made life worse for us, much like the Fairleys\u2019 inattention to Emma\u2019s dying mother and their role in her father\u2019s death make her vengeance quest impossible to abandon.<\/p>\n

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(Courtesy of BritBox)<\/span> Brenda Blethyn in \u201cA Woman of Substance.\u201d<\/p><\/div>\n

There\u2019s a price Emma pays for her mission, because there always is. Both younger and older Emma are fiercely admired but close themselves off to love. The most recent episode of \u201cA Woman of Substance\u201d closes with Emma proposing marriage to the man who owns the building housing her successful dressmaking business and curtly dumping a suitor who actually cares about her. Yet for some reason, he and the first good man to propose to her, Mac (Niall Wright), stick around to make sure Emma has strong hands to fall back on.<\/p>\n

But that refusal to risk vulnerability comes back to bite her when the daughter she turned herself inside out to spoil pulls a move reminiscent of Veda in \u201cMildred Pierce,\u201d betraying Emma for vapid reasons.<\/p>\n

James M. Cain\u2019s 1941 novel and Bradford\u2019s have that in common, along with a lot of other observations about the price of a woman\u2019s ambition and what she trades to widen the moat between her and privation. Both Mildred Pierce and Emma Harte build their wealth by remaining clear-eyed as to what men can do for them financially as opposed to romantically.<\/p>\n

Each story also emerged before decades of wealth expansion, with the movie version of \u201cMildred Pierce\u201d\u00a0coming out in 1945, right before the post-war boom. Bradford\u2019s potboiler hit in time to meet the \u201cgreed is good\u201d \u201980s, a decade when the wealth divide increased sharply and economic survival felt only slightly less Darwinian than it does today.<\/p>\n

The get-rich ethos that defines our time may be only rivaled by our perilously tantalizing obsession with vengeance. Mind you, it\u2019s an expensive pursuit most of us can\u2019t afford. That\u2019s why that adage about living well being the best revenge tends to be offered to the party on the losing end of a betrayal. There is plenty of wisdom in that, but more satisfaction, I think, in Emma Harte\u2019s demonstrated rebuttal. She\u2019s determined to prove that brute-force payback is the best revenge, and dining on the carcass of your fallen enemy is the spoils of a life well-lived. It takes endless work and sacrifice, but this show makes her claws-out climb worth our attention.<\/p>

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\u201cA Woman of Substance\u201d is currently streaming on Britbox.<\/em><\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

This soapy Britbox drama trades worshipping high society for good old payback<\/p>\n","protected":false},"author":1,"featured_media":1059,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[1394,1395,1396,129,4,1397,1398,1399,58],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-downton-abbey","tag-a-woman-of-substance","tag-brenda-blethyn","tag-britbox","tag-commentary","tag-julian-fellowes","tag-revenge","tag-the-gilded-age","tag-tv"],"yoast_head":"\n\u201cA Woman of Substance\u201d is a fiercely old-fashioned revenge saga - Relocation Across America<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationacrossamerica.com\/?p=1062\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cA Woman of Substance\u201d is a fiercely old-fashioned revenge saga - 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