{"id":270,"date":"2026-06-05T16:10:37","date_gmt":"2026-06-05T16:10:37","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=270"},"modified":"2026-06-05T16:10:37","modified_gmt":"2026-06-05T16:10:37","slug":"the-best-albums-of-the-year-so-far-music-to-stop-the-doomscrolling","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=270","title":{"rendered":"The best albums of the year (so far): Music to stop the doomscrolling"},"content":{"rendered":"<section>\n<p>You, dear Salon reader, are discerning and responsible, ready to face the reality of the world we\u2019re living in, for better or for worse. Unfortunately, that may result in feelings of anger, frustration, anxiety or hopelessness. It\u2019s an unfortunate byproduct of caring deeply.<\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=268\">Christianity is profoundly queer<\/a><\/p>\n<p>This is precisely why we turn to art, which probes both truth and beauty: the enemies of doomscrolling. Music is perhaps the purest of these art forms, tapping into our lizard brains to regulate our emotions that are seeking to make sense of this precious yet maddening existence.<\/p>\n<p>That\u2019s why your Salon writers and editors have gathered the best albums of the year (so far), all the better to soothe you with. A great song offers pleasure, but a great album \u2013 no skips \u2013 is a doorway. On the other side lies transformation. Sound possesses power, whether you\u2019ll be weary from dancing or blissed out from the frequencies massaging your nerves.<\/p>\n<p>So crank up the Victrola, press play on Spotify and nestle into your headphones. These albums will keep you energized to thrive another day.<\/p>\n<p><em>Albums are listed alphabetically by title.<\/em><\/p>\n<p><span>I did not have \u201cfinally become a fan of the biggest K-pop group in the world\u201d on my 2026 bingo card, but here we are.\u00a0<\/span><\/p>\n<p><span>From its title \u201cArirang\u201d (referencing a centuries-old Korean folk tune \/ resistance anthem) to its head-scratching track \u201cNo. 29\u201d (featuring one, long reverberating toll of a 1,300-year-old Buddhist bell) BTS\u2019 comeback album plants its feet firmly in Korean heritage. But it\u2019s an identity as defined by seven modern musicians who had already enjoyed global success, becoming the No. 1 artists in the world early in the pandemic, before going their separate ways to pursue solo work and later enter mandatory military service.<\/span><\/p>\n<p><span>RM commands, \u201cI need the whole stadium to jump,\u201d in the album\u2019s banger opening track \u201cBody to Body\u201d that also weaves in a sample of the aforementioned folk song with traditional drum elements at the bridge, coalescing into a declaration of identity that is loud, clear and fiendishly danceable. Four more attitude-driven hip-hop tracks follow: the defiant \u201cHooligan,\u201d the Hallyu callout \u201cAliens,\u201d the cheeky and industrial \u201cFYA\u201d and then \u201c2.0,\u201d a reclamation of their supremacy in a new era . . . accompanied by a music video featuring an homage to Park Chan-wook\u2019s \u201cOldboy\u201d hallway scene.\u00a0<\/span><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/_gyultVTesk?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"BTS (\ubc29\ud0c4\uc18c\ub144\ub2e8) '2.0' Official MV\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p>While personal narrative is key to the album, \u201cNo. 29\u201d acts as an aural demarcation. Nothing is more sublime than transitioning from Jimin\u2019s penetrating vocals of \u201cYou know how we do!\u201d on \u201c2.0\u201d directly to the deep reverberations of the ancient bell that soothe and reset. This shifts from the audaciousness of the first half of the album to introspection \u2013 starting with the dreamy lead single \u201cSwim\u201d and Tame Impala-produced \u201cMerry Go Round\u201d to the grungy lilt of \u201cLike Animals\u201d and repudiation of their idol status in \u201cthey don\u2019t know \u2019bout us.\u201d The vocoder styling flourish of closing track \u201cInto the Sun\u201d gives one final mood shift as the almost achingly sweet vocals and lyrics transport listeners to a realm of sentiment and gratitude.<\/p>\n<p><span>During my latest trip to Asia, I played this on my headphones on repeat while I rode the subway . . . and haven\u2019t stopped listening since. Sonically dynamic and unapologetically trenchant, \u201cArirang\u201d took me on a journey by asserting BTS\u2019 collective powers as mature artists and master storytellers, and I couldn\u2019t help but be inspired.\u00a0 \u2013<\/span><i><span>Hanh Nguyen<\/span><\/i><\/p>\n<p><span>If you\u2019ve wondered what would happen when a garage-rocker cowboy is joined by a punk who likes the Western wail of steel guitars, look no further than \u201cBlame the Clown.\u201d This sophomore effort from New Orleans duo Twisted Teens is as much a punk album as it is an Americana folk album, as loud as it is thoughtful, as crunchy as it is tender.\u00a0\u00a0<\/span><\/p>\n<p><span>Caspian \u201cC-Bird\u201d Hollywell\u2019s wide-eyed, frenetic energy and howling vocals come up against the sweet, mournful steel pedal guitar of suit-and-tie-wearing \u201cRazor\u201d Ramon Santos. The result can be heard in songs like the hard-driving \u201cIs It Real?\u201d in which Hollywell roars about mental illness and divine intervention, while Santos coats it all in steel honey.<\/span><\/p>\n<p><span>The gumbo of Dixieland punk continues. \u201c100 Bill is Gone!\u201d channels blue-collar money woes, whereas \u201cCircus Clown\u201d is the closest thing we\u2019ll ever get to surf rock from a swamp. It\u2019s also where we get the album title: \u201cI don\u2019t blame the circus\/I blame the clown.\u201d There\u2019s \u201cWhite Hot Coal,\u201d a pensive, acoustic folk rocker with violins as the ghost of an accordion.<\/span><\/p>\n<p><span>\u201cBlame the Clown\u201d is a rough ride through both desperate and jubilant times. Its broken smile won\u2019t let you down. \u2013 <\/span><i><span>Garrett Owen\u00a0\u00a0<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/FWP2bTeoPTo?feature=oembed\" frameborder=\"0\" height=\"375\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Circus Clown\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p><span>Artists like Zinadelphia are the reason why Philly has been called the <\/span><span>indie capital of the world<\/span><span>. She is carrying on the legacy of Philadelphia as not just a great music city, but a city rich in history and heavily influenced by those that came before them. In her latest album, \u201cThe Boutique,\u201d Zinadelphia is a funky jazz, indie-pop goddess. Her powerful, unique voice combined with deep, thoughtful lyricism reminds me of icons like Billie Holliday and Patti Labelle combined with contemporary standouts like Lizzy McAlpine and Japanese Breakfast (all of whom are also from Philly). She has stage presence that you just can\u2019t fake. Whatever the X factor is, Zina\u2019s got it. <\/span><\/p>\n<p><span>Listening to \u201cThe Boutique,\u201d I feel like I should be smoking a cigarette and drinking the dirtiest martini known to man in a speakeasy, wearing a drop waist silk dress and bright red lipstick. My personal standout song is \u201cCall Up Nancy.\u201d At concerts, she introduces the track with a Penny Lane quote from the Cameron Crowe\u2019s \u201c<\/span><span>Almost Famous\u201d<\/span><span>: \u201c<\/span><span>I always tell the girls never take it serious. If you never take it serious, you never get hurt. If you never get hurt, you always have fun. And if you ever get lonely, you just go to the record store and visit your friends.\u201d<\/span><\/p>\n<p><span>\u201cCall Up Nancy\u201d is an anthem for anyone who\u2019s ever had a ride-or-die best friend. When the relationships fizzle, when the job sucks, when things don\u2019t work out the way you plan, you know they\u2019re always there for you. As Zina sings, <\/span><\/p>\n<blockquote>\n<p><span>When I get lonely<br \/>\nI know who can console me . . . I don\u2019t get angry,<br \/>\nI just get Nancy<br \/>\non the phone.<\/span><\/p>\n<\/blockquote>\n<p><span>It\u2019s the big band sound that makes you smile and want to get up and dance with captivating lyrics that always leave you wanting more.<\/span><i><span> \u2013 Francesca Giangiulio<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/IsW0sbp2ESc?feature=oembed\" frameborder=\"0\" height=\"375\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Call Up Nancy\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<h2>\u201cF.I.G.\u201d Naomi Scott<\/h2>\n<p><span>Those who grew up during the Golden Age of Disney Channel like myself have been well aware of Naomi Scott\u2019s vocal prowess \u2014 bold yet playful and honey-sweet. In the 2011 hit film \u201cLemonade Mouth,\u201d Scott rose as a massive standout, notably with her defiant, high-energy performance of the pop-rock ballad <\/span><span>\u201cShe\u2019s So Gone.\u201d<\/span><span> Her talents were once again showcased in the 2019 live-action adaptation of \u201cAladdin\u201d and the 2024 horror flick \u201cSmile 2,\u201d where she also <\/span><span>performed her own choreography<\/span><span> and co-wrote two of the original songs for the movie\u2019s soundtrack.\u00a0\u00a0<\/span><\/p>\n<p><span>With \u201cF.I.G\u201d \u2014 Scott\u2019s debut studio album that\u2019s an acronym for \u201c<\/span><span>Fall Into Grace\u201d<\/span><span> \u2014 she establishes her unique sound, sans playing one specific character. But the album itself isn\u2019t purely autobiographical. Instead, it\u2019s inspired by the famous fig tree metaphor from Sylvia Plath\u2019s \u201cThe Bell Jar,\u201d where each plump and juicy fig, dangling deliciously on the branches, represents a different life path for the protagonist. For Scott, the figs are reimagined as songs, exploring a different possibility and version of herself.<\/span><\/p>\n<p><span>In \u201cHellbent,\u201d the album\u2019s opening track, Scott dives into an infatuation so strong that she can\u2019t help herself from acting on those feelings: \u201c\u2019Cause I\u2019m selfish \/ And you\u2019re everything I want so I\u2019ll be relentless \/ And I\u2019d do anything to make you mine \/ Do you mind?\u201d In \u201cCherry,\u201d she explores the sensuality of patience: \u201cIf the cherry\u2019s sweet, it comes right off the bush \/ Don\u2019t push.\u201d And in \u201cBliss,\u201d she mourns a relationship that could have been: \u201cWhat hurts the most \/<\/span><span>Is we almost had it for a moment.\u201d\u00a0<\/span><\/p>\n<p><span>\u201cF.I.G\u201d is musical storytelling at its finest. It\u2019s beautifully cohesive, both lyrically and sonically, and vulnerable. It\u2019s pop at its core with a touch of \u201980s soul and \u201990s R&amp;B, alongside a sprinkle of disco and gospel. It\u2019s old-school cool yet contemporary, seamlessly emulating the sounds and stylings of Kate Bush and Janet Jackson, as well as Dev Hynes (a.k.a. Blood Orange), Jessie Ware and NAO. Once the final track has been played, \u201cF.I.G\u201d beckons us to replay, revel in our emotions and dance once, maybe twice or thrice, more. \u2014 <\/span><i><span>Joy Saha<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/GIyhZArmY7I?feature=oembed\" frameborder=\"0\" height=\"375\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Hellbent\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p><span>The ninth studio album from British virtual band Gorillaz came to fruition in the wake of creators Damon Albarn and Jamie Hewlett losing their fathers a mere 10 days apart. The two men traveled to India and were inspired by the eastern spirituality\u2019s view on death that was essentially the opposite of their own. <\/span><span><br \/>\n<\/span><span><br \/>\n<\/span><span>The 15-track album blends Western pop and hip-hop with traditional Indian classical instruments like the sitar and sarod. The album explores themes of death, grief and the afterlife. It also plays homage to previous Gorillaz collaborators who have departed by utilizing unused or alternate takes from past projects.\u00a0 <\/span><span><br \/>\n<\/span><span><br \/>\n<\/span><span>Highlights include \u201cOrange County,\u201d \u201cThe Happy Dictator,\u201d \u201cDamascus\u201d and \u201cDelirium.\u201d \u201cOrange County\u201d is my particular favorite track; it feels light and upbeat with some whistling throughout \u2014 yet lyrically explores grief while also giving this feeling of hope in the darkness. In somewhat typical Gorillaz fashion, the album paired with a short film of the band members trekking across India titled, \u201cThe Mountain, The Moon Cave and the Sad God,\u201d which is worth a watch if you love 2D animation.<\/span><\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=266\">JD Vance goes all in on immigrant fraud hoax<\/a><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/ucRulNQsuYQ?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Gorillaz - The Mountain, The Moon Cave and The Sad God\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p><span>\u201cThe Mountain\u201d truly feels like an album thanks to its conceptual nature. The songs flow together in a cohesive manner, and it features performances in multiple languages \u2014 which is quite beautiful when you think about how death and grief are universally shared experiences across humanity. It\u2019s arguably the Gorillaz\u2019s best work since \u201cPlastic Beach.\u201d This album is one that I want to continue to spend more time with in the coming months, especially as someone navigating the loss of a parent. \u2013 <\/span><i><span>Natalie Moore<\/span><\/i><\/p>\n<p><span>Something is eerily wrong in the world of this indie-art-folk post-rock fusion debut from My New Band Believe.<\/span><\/p>\n<p><span>The album is experimental, merging modern art with Romanticism. Its baroque, acoustic sounds of a pastoral countryside in ye olde England mesh disturbingly well with softly sung, darkly opaque lyrics. Whether it be about getting bloody revenge for a family (\u201cTarget Practice\u201d), heartbreak over a lover\u2019s passing (\u201cLove Story\u201d), or an unexpectedly sweet and\/or terrifying date (\u201cOne Night\u201d), this album is beautiful and skin-crawly in equal measure. It\u2019s a gold mine for artistic interpretation.\u00a0<\/span><\/p>\n<p><span>The eight-minute \u201cActress\u201d is an aural trip that croons of a lazy wannabe-actress, before it climbs to rocking, triumphal heights with a soaring string section. Does it encourage her dream, or take eight minutes to put them down? Your call. Bandleader Cameron Picton<\/span> <span>confirmed<\/span><span> the song (among others) changes meaning, depending on how he feels.<\/span><\/p>\n<p><span>\u201cIn the Blink of an Eye\u201d is full of chaotic drums, woozy vocals, and jangling guitars, with sudden, off-putting pauses, telling a dark tale of growing paranoia and a refrain of \u201cDon\u2019t cry\/don\u2019t scream\/it\u2019s just\/a bad dream.\u201d Yet, the music video focuses on the daily work of a<\/span> <span>Japanese fisherman<\/span><span>. Figure that one out.\u00a0\u00a0<\/span><\/p>\n<p><span>Vibes: cursed tea party, haunted cottage, abandoned in a mansion. \u2013 <\/span><i><span>Garrett Owen<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/Swr2BZKk6ZY?feature=oembed\" frameborder=\"0\" height=\"375\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"In the Blink of an Eye\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p><span>Teddy Thompson\u2019s voice is a <\/span><span>golden, vivid instrument<\/span><span> capable of conjuring joy and caverns of heartache. He\u2019s<\/span> <span>been plumbing those emotional depths in his songs for nearly 26 years across seven critically acclaimed solo albums, and he\u2019s back at it with his latest \u2014 and finest: \u201cNever Be the Same.\u201d Easily one of the year\u2019s best albums, it serves up a delicious aural stew flavored by the musical genres that have long been among Thompson\u2019s primary ingredients: late-1950s rock, classic pop-country and the golden age of soul.<\/span><\/p>\n<p><span>In making \u201cNever Be the Same,\u201d Thompson wanted to allow room for the \u201cdevastating moment,\u201d a point in a song where something unexpected can happen, \u201cthat one lick where you just melt.\u201d He and producer David Mansfield create those moments time and again: with Thompson\u2019s lonesome tenor and falsetto \u2014\u00a0and a scorching organ instrumental \u2014 on the languid slow-burn \u201c<\/span><span>So This Is Heartache<\/span><span>\u201d; the swell of strings and emotion on \u201c<\/span><span>The Game<\/span><span>,\u201d paired with his confession of \u201cwhat do I know?\u201d of love; and especially his poignant lyrics about his maternal grandmother and her \u201cpale, rock pool eyes\u201d on \u201c<\/span><span>I Remember<\/span><span>,\u201d which also features a Floyd Cramer-style piano riff that puts a lump in the throat.\u00a0<\/span><\/p>\n<p><span>Thompson\u2019s career in music has been at turns fulfilling and frustrating; if there were justice in the world, he would be a household name. But, as the old Rodgers and Hart song goes, \u201cSongbirds always eat \/ if their song is sweet to hear.\u201d\u00a0<\/span><\/p>\n<p><span>These days, Thompson\u2019s is the sweetest. <\/span><i><span>\u2014Jason Kyle Howard<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/FjrxoievQhQ?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Teddy Thompson - So This Is Heartache\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<p><span>Our existence is the result of our ancestors\u2019 survival and ability to imagine a future worth enduring the present\u2019s sorrows. \u201cTo Whom This May Concern\u201d is Jill Scott\u2019s way of reminding her listeners of that, fortified with the spirits and songs of Black artists who came before her.<\/span><\/p>\n<p><span>It\u2019s also her first album in more than a decade, one that maintains the neo-soul continuum she\u2019s nourished since her multi-platinum 2000 debut, \u201cWho Is Jill Scott? Words and Sounds, Vol. 1.\u201d But this one, her sixth, dances us through her evolution and many revolutions, serving up everything from jazz to funk to Chicago house on the dance track \u201cRight Here Right Now.\u201d Through it all, she taps into music ancestry blessed and shaped by the likes of Nina Simone, Ella Fitzgerald, Sarah Vaughan and Tina Turner, a few of the trailblazers she name-checks on \u201cOffadaback\u201d while bowing deeply to others like Ma Rainey and the poet Nikki Giovanni through tributes like the blues-heavy \u201cPay U on Tuesday\u201d and \u201cOde to Nikki.<\/span><\/p>\n<p><span>Other tracks rewind through eras to pay homage to Black music\u2019s many styles and mothers, bounding across Black music\u2019s geography with dozens of collaborators, ranging from Trombone Shorty to Too $hort. The former, a New Orleans-based band, gives the motivational anthem \u201c\u2026Be Great\u201d its swaggering, saucy brass line; the latter holds the bridge on \u201cBPOTY,\u201d a hellfire condemnation of prosperity gospel Christianity. Overall, though, the force holding aloft \u201cTo Whom This May Concern\u201d is joy, the kind woven into a supportive correspondence with a resilient people, a gratitude offering to lineages, a love letter to ourselves and herself. \u201cI might not equate to much to some, but I\u2019m grateful to all the pioneers who stood up for freedom, and its meaning,\u201d she says on \u201cOffadaback,\u201d sagely adding, \u201cThey did it for themselves, but ultimately they did it for us\u2026Thank you.\u201d<\/span><i><span> \u2013 Melanie McFarland<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/hidnpaPUW34?feature=oembed\" frameborder=\"0\" height=\"375\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Offadaback\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<h2>\u201cTop Spot,\u201d aka \u201cAlternate Dimension,\u201d T.O.P.<\/h2>\n<p><span>Don\u2019t call it a comeback. Or even vindication. This is insurrection.<\/span><\/p>\n<p><span>Choi Seung-hyun \u2013 better known as T.O.P., aka Thanos from \u201cSquid Game\u201d Season 2 \u2013 quietly served up the most earth-shaking comeback album in South Korea this year. An erstwhile member of the wildly popular boyband BigBang, Choi admitted in 2017 to marijuana usage. Conviction and cancellation swiftly followed. Ending work with his label and group, the rapper left for Europe where he made wine, licked his wounds and worked on music in isolation.<\/span><\/p>\n<p><span>\u201cAnother Dimension\u201d is his answer to the years of rejection, pain and incandescent ire, but transmuted into a vibrant, avant-garde, genre-defying gaping wound found within 11 tight tracks. Although no understanding of Korean is necessary to appreciate the experimental production that has always made him a distinctive artist worthy of attention, it\u2019s the lyrical nakedness that elevates the album into a confession, an accusation, an attack on the strictures of South Korean society.<\/span><\/p>\n<p><span>Dissonance and synth-heavy soundscapes open \u201cSelf-Crucifixion,\u201d a track that excavates the scorching heat Choi felt under the magnifying glass of public scrutiny, with the back third finishing with audio snippets of the media reporting on his public exploits.\u00a0<\/span><\/p>\n<p><span>In lead single \u201cStudio 54,\u201d he intones in a bass growl, \u201cDirty sun, dirty sun, they just ruined my soul,\u201d equating New York\u2019s infamous nightclub with South Korea\u2019s Burning Sun nightclub scandal in which a former BigBang bandmate was convicted of prostitution mediation and embezzlement in 2020. Choi becoming persona non grata for pot hardly seemed fair in light of that horrifying revelation. The song\u2019s Korean refrain and damning alternate title? \u201cGone Crazy.\u201d<\/span><\/p>\n<p><span>The rest of the album alternates between chaos and control, introspection and criticism, grungy beats and hazy surrealism. He even includes a track \u201cFor Fans\u201d that is, as advertised, the most pop-friendly bop across the 37-minute runtime. Seven of the tracks, however, do not meet Korean broadcast standards for various reasons, which is perhaps the most revealing trait of all. This album \u2013 100% independently produced and distributed outside of the powerful entertainment machine that had forged Choi \u2013 rejects the dictates of a society that first rejected him. <em>\u2013 Hanh Nguyen<\/em><\/span><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/cfaybWG25D4?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title='T.O.P - \"\uc644\uc804\ubbf8\ucce4\uc5b4! (Studio54)\" MV' width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<h2>\u201cVol. II,\u201d\u00a0 Angine de Poitrine<\/h2>\n<p><span>When guitarist Khn de Poitrine and drummer Klek de Poitrine perform live, they make triangle shapes with their hands and screech unintelligibly. After listening to their latest album, \u201cVol.II,\u201d you might find yourself wanting to do the same. The Canadian rock duo make up Angine de Poitrine, which translates from French \u200b\u200bto angina pectoris \u2014 a condition of chest pressure caused by spasms of the heart. Absorbing their hyperactive microtonal math rock can give similar symptoms of tightness in the chest, which is pretty impressive for a Quebec duet that sports absurd papier-m\u00e2ch\u00e9 masks with giant oversized noses and uses fake names. Like an alien version of the White Stripes, their monochrome costumes are excessively polka-dotted, evoking Dadaism (the early 20th century art movement that augured surrealism and pop art) \u2013 all of which would feel like a gimmick if the tunes didn\u2019t land.<\/span><\/p>\n<p><span>Their lead single \u201cFabienk\u201d is studded with hair-trigger riffs \u2014 if you can even call them that \u2014 that mix the playful nursery rhyme melodies of Battles with the no-wave drone of Sonic Youth. \u201cYor Zarad\u201d channels some Eastern tones \u00e0 la Dick Dale\u2019s rendition of \u201cMiserlou\u201d before spiraling into buzzing crashes that feel like almost Zeppelin-like (with extra helium yet extra bass) while \u201cSarniezz\u201d will feel right at home for fans of Can or LCD Soundsystem. It\u2019s little wonder a <\/span><span>viral KEXP performance<\/span><span> has garnered more than 13 million views since February \u2014 the band is as dancey and mesmerizing as they are out there.\u00a0 <\/span><i><span>\u2013 Troy Farah<\/span><\/i><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/pRgHYWOtqqc?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Angine de Poitrine - Fabienk (Live on KEXP)\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<h2>\u201cWOR$T GIRL IN AMERICA,\u201d Slayyyter<\/h2>\n<p><span>\u201cWOR$T GIRL IN AMERICA\u201d might be Slayyyter\u2019s third studio album, but you\u2019d hardly know it from the fervent reception that accompanied its release. Like Charli XCX\u2019s \u201cBrat\u201d before it, \u201cWGIA$\u201d (as it\u2019s been dubbed by its creator) arrived to a surprising amount of mainstream attention for someone formerly considered a niche artist. Once the princess of glitchy hyperpop, Slayyyter spent nearly a decade steadily refining her sound into something entirely her own, culminating in a sonic landscape that\u2019s studied and referential while indisputably fresh.\u00a0<\/span><\/p>\n<p><span>Listeners picked up on that, too. The fiery first single, \u201cBEAT UP CHANEL$,\u201d derides inauthenticity in a world where filters and AI are God, while \u201cCRANK\u201d features Slayyyter rapping about getting \u201cso gay off that tequila\u201d before name-checking Richard Linklater in a masterful, three-punchline lyric. Passion, humor and a snarl of defiance run through the album like a bullet. Its energy is unlike anything in pop this decade so far.<\/span><\/p>\n<p><span>But in its softer, more introspective moments, \u201cWGIA$\u201d peels away the layers without losing the hard synths or sonic left-turns that feel so reminiscent of aughts-era electropop. (She frequently refers to the album as \u201ciPod music,\u201d songs she could\u2019ve fantasized and danced to in equal measure growing up.) Album cuts like \u201c$T. LOSER\u201d and \u201cWHAT IS IT LIKE, TO BE LIKED?\u201d find Slayyyter caught up comparing herself to other artists. \u201cGAS STATION\u201d pairs a frenetic synth melody reminiscent of Crystal Castles with lyrics about abandonment. Then there\u2019s the wallop of a closer, \u201cBRITTANY MURPHY,\u201d about seeing herself in someone else\u2019s tragic fate, singing her own eulogy and wondering \u2014 maybe even dreaming about \u2014 what the world would be like without her. \u201cDo you notice all I\u2019ve done?\u201d Slayyyter softly repeats in the song\u2019s outro. With \u201cWOR$T GIRL IN AMERICA,\u201d the answer is a resounding, all-caps \u201cYES.\u201d <\/span><i><span>\u2013 Coleman Spilde<\/span><\/i><\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=264\">The Democratic Party is pushing for more conservative voices \u2014 with mixed success<\/a><\/p>\n<p><span><\/p>\n<div><span><iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" class=\"lazy w-full\" data-src=\"https:\/\/www.youtube.com\/embed\/TZCE6PfaUWA?feature=oembed\" frameborder=\"0\" height=\"281\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Slayyyter - CRANK (Official Video)\" width=\"500\"><\/iframe><\/span><\/div>\n<p><\/span><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>From BTS to Zinadelphia, these artists have delivered albums worth playing through, no skips<\/p>\n","protected":false},"author":1,"featured_media":269,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[463,464,465,466,467,468,469,470,120,471,472,473,474,231,475,476],"class_list":["post-270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-angine-de-poitrine","tag-best-of-2026","tag-bts","tag-choi-seung-hyun","tag-gorillaz","tag-jill-scott","tag-k-pop","tag-list","tag-music","tag-naomi-scott","tag-new-my-band-believe","tag-slayyyter","tag-t-o-p","tag-teddy-thompson","tag-twisted-teens","tag-zinadelphia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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