{"id":315,"date":"2026-06-08T16:14:15","date_gmt":"2026-06-08T16:14:15","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=315"},"modified":"2026-06-08T16:14:15","modified_gmt":"2026-06-08T16:14:15","slug":"wait-is-backrooms-actually-about-silicon-valley","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=315","title":{"rendered":"Wait, is \u201cBackrooms\u201d actually about Silicon Valley?"},"content":{"rendered":"

\u201cBackrooms<\/span>,\u201d the No. 1 movie in the country currently, is a horror movie that takes place in a seemingly endless liminal space that articulates itself as generic strip mall or office spaces. One of the unsettling horrors of these eponymous spaces is how <\/span>generic<\/span> they are: we\u2019ve all seen and been in an office complex like this, with tile ceilings, harsh fluorescent lighting, cheap carpets and particle board furnishings. They\u2019re ubiquitous across the Western world \u2014 an architectural infection spurred by capitalism\u2019 need for generic efficiency borne of economies of scale. That\u2019s partly what makes the movie unsettling: the backroom aesthetic is unsettlingly generic, a space that exists everywhere and yet nowhere.\u00a0<\/span><\/p>

Read more It\u2019s not just hopium: People really are leaving MAGA<\/a><\/p>\n

For a movie defined by this nowhereness, it\u2019s all the more telling that the filmmakers took pains to let us know <\/span>exactly<\/span> where we are. Throughout the film, the audience is reminded repeatedly that the furniture store where this all starts is at the corner of Capitol and McKee, in San Jose, California, in fall 1990. The corner of Capitol and McKee is a very real intersection, with two very real strip malls bordering it on either side, that look very similar to the strip mall with Cap\u2019n Clark\u2019s Ottoman Empire as tenants. (Though it takes place in San Jose, the film wasn\u2019t actually shot there; the producers used exteriors and sound stages in British Columbia, a common shooting location due to tax incentives.)<\/span><\/p>\n

\n

For a movie defined by this nowhereness, it\u2019s all the more telling that the filmmakers took pains to let us know <\/span>exactly<\/span> where we are. <\/span><\/p>\n<\/div>\n

After \u201cBackrooms\u201d had an astonishing (and <\/span>record-breaking<\/span>) $80 million debut weekend,\u00a0the mediaverse is beset with hot takes about what this cryptic horror movie, the debut from 20-year-old auteur Kane Parsons, is really about. Maybe screenwriter Will Soodik is trying to tell us this is a\u00a0 movie about psychology? After all, the movie opens with a scene from Clark in his therapist\u2019s office. Or wait, maybe it\u2019s just \u201cabout memory \u2014 and bastardized versions of memory,\u201d as Brianna Zigler <\/span>writes<\/span> in Entertainment Weekly. Or is it simply about \u201ctrauma and the mysterious workings of the unconscious,\u201d as New York Times critic Beatrice Loayza <\/span>says<\/span>? Or, as one <\/span>Redditor<\/span> argues, maybe \u201cthe backrooms are a representation of all the different paths in life we could take.\u201d\u00a0<\/span><\/p>\n

But after repeat viewings, I don\u2019t think \u201c<\/span>Backrooms\u201d<\/span> is really about any of these \u2014 or at least, not entirely. There are clues in the film that suggest that at its core, <\/span>Backrooms<\/span> is a story about the tech industry \u2014 and a cautionary one, too.<\/span><\/p>\n

The \u201c<\/span>Backrooms\u201d<\/span> universe may not exist in our plane, but its entrance is in San Jose, California. The film revels in languid establishing shots of the Santa Clara Valley, with the hilly Diablo Range in the background. Down in the backrooms twilight zone, there\u2019s a glitchy-looking wall splashed over with distorted \u201cMcKee Road\u201d signs. While the ad for the in-universe furniture store Cap\u2019n Clark\u2019s Ottoman Empire plays, a phone number with a South Bay area code flashes in a supertitle. (You can try calling \u2014 it turns out to be a <\/span>fax machine line<\/span> that\u2019s connected to the film\u2019s marketing campaign.) The film\u2019s Silicon Valley setting is clearly a very deliberate choice by the filmmakers \u2013 and something they remind us of, repeatedly, through such cues.<\/span><\/p>\n

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\"\"<\/figure>\n

(A24)<\/span> Chiwetel Ejiofor in \u201cBackrooms\u201d<\/p><\/div>\n

But it\u2019s not just that the movie takes place in Silicon Valley (or, at least its exterior \u2014 the backrooms themselves exist in null space). It\u2019s the time and the place that the movie occurs, too: fall 1990, an auspicious moment in tech history. At this point in history, ARPANET \u2013 the precursor to the internet \u2014 was largely a communications tool for universities, research institutes, and government-funded laboratories. About eight months later, in August 1991, the World Wide Web was formally announced, and by 1993, it became massive and public.\u00a0<\/span><\/p>\n

\n

The internet is a \u201cfaulty copy of reality.\u201d<\/p>\n<\/div>\n

But even before the modern internet came to be, techies and sci-fi writers were already imagining what the web was going to look like. \u201c<\/span>Neuromancer<\/span>,\u201d one of the defining cyberpunk novels, was published in 1988; that book imagines an interconnected, virtual reality world you can traverse by \u201cjacking in.\u201d Indeed, well before the internet formally came to be, writers like William Gibson imagined that cyberspace would be something three dimensional and navigable, with a certain internal architecture to it \u2014 albeit a distorted one compared to the real world.\u00a0<\/span><\/p>\n

In other words, the internet is a \u201cfaulty copy of reality.\u201d That\u2019s not my quote \u2014 that\u2019s exactly what protagonist Clark says of the backrooms, though he might as well have been speaking of the internet: it\u2019s a place that <\/span>feels<\/span> like a human creation, but which has been mutated by bots, AI and the demands of capital. In 2009, Christine Smallwood wrote an <\/span>article<\/span> for <\/span>The Baffler <\/span>in which she pontificated as to what the internet would <\/span>look like<\/span>, if it were made physical.\u00a0\u00a0<\/span><\/p>

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I wish the internet looked like Matt Damon, or like lines of light written by an invisible hand in the night sky. I wish it sounded like tinkling bells and xylophones. I would be sad if it sounded like techno, but I\u2019d get used to it. It turns out, though, that it looks like a warehouse of space junk, and it sounds like an industrial-strength air-conditioning system. Beyond the screen, the internet looks like everything else. It looks like money.<\/span><\/p>\n

Smallwood\u2019s prediction prefigured what the backrooms look like: A warehouse of junk with an HVAC system, that looks like every other cynically, expedient commercial building that looks more as though it were <\/span>printed<\/span> than <\/span>designed<\/span>.\u00a0<\/span><\/p>\n

Perhaps you can see how the metaphors between the backrooms and the internet itself multiply from here: Like the backrooms, one can lose oneself forever in the internet. Like the backrooms, one can find faithful representations of human behavior, and unfaithful representations. One can, on the internet, even encounter trolls akin to the golem versions of real people that we see in the film.\u00a0<\/span><\/p>\n

Likewise, it\u2019s telling that the backrooms mythos originated on the website 4chan, the shadowy anonymous image board that has multifariously spawned <\/span>incel and alt-right culture<\/span>, the <\/span>QAnon<\/span> conspiracy, and a <\/span>$90,000 objet d\u2019art<\/span>.\u00a0<\/span><\/p>\n

There\u2019s one other big clue that this is all just a huge metaphor for the internet, and that has to do with the company in the film, Async. Phil, the dorky and faintly sinister middle-aged employee of Async, explains to Mary that his company used to make MRI machines. But now, the company has devoted itself to studying the backrooms \u2014 which, he explains, might be the biggest discovery in human history.\u00a0<\/span><\/p>\n

That hyperbole is similar to how Silicon Valley\u2019s techno-optimists talk about their industry. At various points in history, tech scions like Zuckerberg, Musk, Jobs, or Altman have variously claimed that AI, or the internet, or the metaverse, or crypto, or whatever\u2019s the tech du jour, is the biggest thing ever. From the 1980s to the 1990s, plenty of technical companies (like Async) were pivoting towards computing and away from whatever it was they did before. Nintendo was a playing card company that switched to video games. Nokia manufactured rubber products like galoshes until pivoting to telecommunications. Samsung originally sold dried fish and groceries. The fictional Async is merely following the same trajectory.\u00a0<\/span><\/p>\n

If the backrooms are a metaphor for the internet, it\u2019s certainly an unsettling one. Protagonist Clark loses himself in it, transforming into an unapologetic narcissist surrounded only by facile representations of humanity. That\u2019s pretty accurate to what the internet is doing to a lot of us these days.\u00a0<\/span><\/p>

Read more Republican lawmakers face backlash after daring to challenge abortion bans<\/a><\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Kane Parson’s psychological horror is a unique commentary that’s as online as we are<\/p>\n","protected":false},"author":1,"featured_media":180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[554,319,555,26,85],"class_list":["post-315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-silicon-valley","tag-backrooms","tag-internet","tag-movies","tag-tech"],"yoast_head":"\nWait, is \u201cBackrooms\u201d actually about Silicon Valley? - Relocation Across America<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationacrossamerica.com\/?p=315\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wait, is \u201cBackrooms\u201d actually about Silicon Valley? 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