{"id":67,"date":"2026-05-26T20:43:15","date_gmt":"2026-05-26T20:43:15","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=67"},"modified":"2026-05-26T20:43:15","modified_gmt":"2026-05-26T20:43:15","slug":"is-god-is-makes-revenge-a-religion","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=67","title":{"rendered":"\u201cIs God Is\u201d makes revenge a religion"},"content":{"rendered":"<section>\n<p>Surprisingly, there are only a handful of passages in the Bible that are directly about twins. That in itself is somewhat strange. Conceiving, carrying and giving birth to one child is such a wonder of biology that doing the same for another infant simultaneously seems like exactly the type of miracle that would be splashed throughout the good book.<\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=65\">\u201cTrump Disappointment Syndrome\u201d: Massie, Megyn Kelly say MAGA\u2019s days are numbered<\/a><\/p>\n<p>Instead, the Bible mentions twins only a few times, most prominently in the Book of Genesis, where brothers Jacob and Esau battle for power and inheritance after the younger twin, Jacob, tricks Esau into handing over his birthright. Jacob\u2019s deception causes a lifelong rift between the two brothers, but, as with all these ancient stories, fate is preordained by God. \u201cTwo nations are in your womb,\u201d God tells Jacob and Esau\u2019s mother, Rebekah, \u201cand two peoples from within you will be separated; one people will be stronger than the other, and the older will serve the younger.\u201d<\/p>\n<div>\n<p>In its mercilessness, \u201cIs God Is\u201d taps the feeling of discontent lingering inside the weary viewer, like a sleeper cell awakening to remember that the origin of every present, contemporary evil has roots centuries in the past.<\/p>\n<\/div>\n<p>Conversely, the Bible contains countless references to revenge. One could read the entire scripture \u2014 both the Old and New Testaments \u2014 as an allegory for humanity\u2019s penchant for payback, and God\u2019s many warnings against it. The stories frame the all-consuming desire for retaliation as an integral aspect of our mortal lives; no one gets out without hankering for a bit of vengeance. The Book of Exodus famously renders this principle as \u201can eye for an eye,\u201d making revenge anatomical, as if it were as natural as we are.<\/p>\n<p>Aleshea Harris\u2019 debut feature, \u201cIs God Is,\u201d sees revenge as a similarly organic, fundamental part of our being. Based on her hit 2018 stage play of the same name, Harris\u2019 film is a road movie meeting a spaghetti western, with a dash of \u201cSet It Off\u201d gone Tarantino. This amalgamation of excessive style is a favorite at the multiplex these days, typically to lackluster effect. But a narrative throughline hellbent on retribution neatly threads Harris\u2019 fiery aesthetic choices together, giving \u201cIs God Is\u201d far more substance \u2014 and much more thematic intrigue \u2014 than its contemporaries.<\/p>\n<p>Twin sisters Racine (Kara Young) and Anaia (Mallori Johnson) have been marked with visible burn scars across their bodies, the result of a violent attack on them and their mother (Vivica A. Fox) by their estranged father (Sterling K. Brown) in their youth. When their mother \u2014 whom the twins refer to as \u201cGod,\u201d because she made them \u2014 unexpectedly summons the twins to her home, she tasks her daughters with an epic quest for vengeance: Kill their father, and everyone around him. The ensuing violence is both joyous and cruel, predictable in a way that doesn\u2019t exactly feel conventional, but rather biblically preordained. In its mercilessness, \u201cIs God Is\u201d taps the feeling of discontent lingering inside the weary viewer, like a sleeper cell awakening to remember that the origin of every present, contemporary evil has roots centuries in the past.<\/p>\n<p>That Anaia and Racine\u2019s journey is born in flames is no accident. Fire and the byproducts of its blaze appear as frequently in religious texts as they do in more colloquial language. Back in Genesis, God tells Adam, \u201cFor you are dust, and to dust you shall return.\u201d That verse has transformed into the funereal recitation \u201cashes to ashes, dust to dust,\u201d and can be traced all the way to the present day, when Mark Wahlberg and other MAGA stars rub ashes on their forehead to offer 20% off the Hallow app\u2019s subscription price.<\/p>\n<p>While \u201cIs God Is\u201d makes no overt references to modern politics or social mores, Harris\u2019 writing is in constant conversation with our uniquely infernal times. In her story, we\u2019re all at the mercy of each other\u2019s whims. Prosperity is not earned; it\u2019s taken through violent means. Casual malevolence lurks around every corner. Hellfire can creep under your door while you sleep, so imperceptible that you won\u2019t notice the soot on your walls and smoke in your lungs until you wake up to greet the new day and witness the surrounding damage. As two Black women burned by the fire and forced to live in its flames, Racine and Anaia are understandably fatigued.<\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=63\">The perks of being Jane Austen\u2019s wallflower<\/a><\/p>\n<p>What sets their story apart from other revenge-laden tales of late is Harris\u2019 remarkable knack for unvarnished realism. Films like \u201cThey Will Kill You\u201d and those in the \u201cReady or Not\u201d franchise incorporate visual elements of the divine and satanic to distract from their mediocre screenplays and recycled ideas. But \u201cIs God Is\u201d refuses to gussy up its allegories with too many special effects or gratuitous gore. It\u2019s straightforward and uncomplicated, but replete with stylistic choices that add a memorable flair to the filmmaking, without losing its practical edge. Harris\u2019 film wields religious subtext in the same ways lawmakers and political figureheads do. Her screenplay is an interpretation of the text, a strong-armed reminder that anyone can use scripture to make a convincing case for their actions, no matter how violent or marginalizing they may be.<\/p>\n<p>The same goes for the twins, who see their revenge as a spiritual rite. Early in the film, Racine, whose burn scars only cover her left arm, reminds Anaia, whose scars are much more severe and difficult to hide, of the cards they were dealt. \u201cAin\u2019t you mad, twin?\u201d Racine asks. Young delivers the line more like a statement than a question. At the precipice of an odyssey that will challenge the half-lives they\u2019ve lived so far, the sisters\u2019 anger is palpable. Why shouldn\u2019t they right this wrong? If a monster like their father can disfigure God, doesn\u2019t his existence pose a threat to a world already under siege? His happiness is an affront to their own chronic displeasure. It\u2019s as if God herself handed them a free pass to strike down the demon who\u2019s plagued their dreams all their lives.<\/p>\n<div>\n<p>This is a film about good versus evil, gods versus monsters \u2014 the fables we\u2019ve been telling since the beginning of time, and why they will be with us until the end.<\/p>\n<\/div>\n<p>Once the sisters hit the road, Harris deftly balances comedy with cultural observations and the occasional burst of vicious brutality, courtesy of a boulder stuffed inside a tube sock. Her theatrically minded screenplay is one of the best examples I\u2019ve seen of modifying a stage play for the big screen. \u201cIs God Is\u201d is rarely hindered by the obstacles so many stage adaptations run into. The film is wide and expansive, but moves smoothly between narrative guardrails. It doesn\u2019t lose its way, yet doesn\u2019t feel entirely confined to one place \u2014 a critical component that allows \u201cIs God Is\u201d to play like a modern biblical fable.<\/p>\n<p>Along the way, Anaia and Racine contend with evergreen notions of morality and sinfulness. The sisters wonder if their violence, like fire, is purifying. They grapple with the knotted concept of complicity, trying to ascertain just how evil the characters they meet \u2014 those who were also left in their father\u2019s wicked wake \u2014 really are, and whether they\u2019re deserving of the rock in the sock. As it turns out, these questions don\u2019t have simple answers. The people Racine and Anaia come across are as put-upon and exhausted as they are. Even those with lives, careers and families are fundamentally lost, snared between their pursuit of personal justice and instinctual self-preservation. That\u2019s exactly how the world\u2019s villains want us to be: angry and afraid, trying to wriggle free from the spider\u2019s web while they laugh and plot our demise.<\/p>\n<p>Making vengeance look human again is Harris\u2019 great strength. For as long as we\u2019ve been going to the movies, there\u2019s been no shortage of revenge films. But somewhere along the way, these movies became bigger, more outrageous. Retribution can be simple and straightforward, but of late, protagonists of these kinds of movies have to cut through armies of people with a katana or battle criminal syndicates for their narratives to be deemed commercially viable.<\/p>\n<p>While \u201cIs God Is\u201d borrows from some of those films, it\u2019s not trying to show off. Harris\u2019 debut is reliably story-driven. And though it boasts excellent character work, one gets the sense that Harris wrote this as a means to an end. This is a Bible story updated for today, when the Bible might as well contain the nuclear launch codes. \u201cIs God Is\u201d is deceptively simple. It\u2019s about good versus evil, gods versus monsters \u2014 the fables we\u2019ve been telling since the beginning of time, and why they will be with us until the end. How appropriate that its bittersweet final act is so steeped in scripture, echoing God\u2019s words to Rebekah about Jacob and Esau\u2019s destiny. Maybe all the answers have already been written, and we\u2019re just characters in a story, trying to outwit fate. If that\u2019s true, \u201cIs God Is\u201d presents a compelling reason to keep trying to rewrite the ending.\u00a0 If there\u2019s one thing centuries of God-fearing living have taught us, it\u2019s that the Bible is open to interpretation.<\/p>\n<p>Read more <a href=\"https:\/\/relocationacrossamerica.com\/?p=59\">\u201cLethality over likability\u201d: Military graduations boost political theater<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Aleshea Harris&#8217; debut is a tale of gods and monsters, in a moment when the line between the two is blurred<\/p>\n","protected":false},"author":1,"featured_media":66,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[141,4,142,98,143,26],"class_list":["post-67","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-aleshea-harris","tag-commentary","tag-is-god-is","tag-kara-young","tag-mallori-johnson","tag-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cIs God Is\u201d makes revenge a religion - Relocation Across America<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationacrossamerica.com\/?p=67\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cIs God Is\u201d makes revenge a religion - Relocation Across America\" \/>\n<meta property=\"og:description\" content=\"Aleshea Harris&#039; 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