{"id":968,"date":"2026-07-14T16:12:51","date_gmt":"2026-07-14T16:12:51","guid":{"rendered":"https:\/\/relocationacrossamerica.com\/?p=968"},"modified":"2026-07-14T16:12:51","modified_gmt":"2026-07-14T16:12:51","slug":"margo-prices-furious-protest-songs-meet-the-moment","status":"publish","type":"post","link":"https:\/\/relocationacrossamerica.com\/?p=968","title":{"rendered":"Margo Price\u2019s furious protest songs meet the moment"},"content":{"rendered":"

\u201cI want to be doing everything I can to change the world and it\u2019s hard to know where to start, but I guess this song is as good a place as any,\u201d Margo Price told Salon, speaking about her performance of Blaze Foley\u2019s scathing \u201cOval Room,\u201d one of five performances of protest songs now available on \u201cDays of Unrest,\u201d a nine-track EP available on streaming services as well as on vinyl, with proceeds from the physical release going to The Florence Project, an organization that assists immigrants facing detention and potential deportation.<\/p>

Read more NATO\u2019s summit of love that wasn\u2019t<\/a><\/p>\n

\n

\u201cDays of Unrest\u201d is intended as Price\u2019s response to current events, from an artist who has always spoken her mind and who has been political from the start.<\/p>\n<\/div>\n

This is a carefully curated offering: five unequivocally intense cover songs, beginning with the traditional Mexican folk song \u201cDe Colores,\u201d Woody Guthrie\u2019s \u201cDeportee (Plane Wreck At Los Gatos),\u201d Blaze Foley\u2019s \u201cOval Room,\u201d a gender-swapped romp through Charlie Daniels\u2019 \u201cLong Haired Country Girl,\u201d and Bob Dylan\u2019s \u201cMaggie\u2019s Farm.\u201d There\u2019s also three original instrumentals and a song out of Price\u2019s early archives, \u201cCan\u2019t Stand Still.\u201d The collection is both furious and joyful, beautifully and carefully cohesive. It\u2019s a significant assemblage of material worth your attention. The band is firing on all cylinders, the production is lively and open, and Price\u2019s voice sounds fantastic. The emotional tone of each vocal performance is beautifully keyed to each song\u2019s context. When you\u2019re trying to make a point, that matters a great deal.<\/p>\n

\u201cDays of Unrest\u201d\u00a0 is intended as Price\u2019s response to current events, from an artist who has always spoken her mind and who has been political from the start; titling your first album \u201cMidwest Farmer\u2019s Daughter\u201d and invoking both The Beach Boys and the loss of your own family\u2019s farm is about as political \u2014 and American \u2014 as it gets.<\/p>\n

The protest numbers are all songs that have been part of Price\u2019s repertoire across the years. \u201cDe Colores\u201d is a traditional Mexican folk song that made its way to the Americas from Spain during the 16th century, and here Price is accompanied by the Memphis Mariachi. The title of the song literally means \u201cOf Colors\u201d and may remind you of the news story of the schoolteacher in Idaho who was told by the school district that she had to remove a poster she made that read \u201cEveryone is welcome here,\u201d because it featured multi-colored hands held aloft. Price\u2019s rendition of \u201cDe Colores\u201d sounds and feels like you\u2019re standing in a sun-drenched plaza. It will transport you.<\/p>\n

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(Douglas Mason\/WireImage\/Getty Images)<\/span> Margo Price performs with Kesha at the Bonnaroo Music and Arts Festival<\/p><\/div>\n

Which is necessary, because the next track is Woody Guthrie\u2019s \u201cDeportee (Plane Wreck at Los Gatos),\u201d which features a verse sung by Joan Baez, who sang the song when she was inducted into the Rock and Roll Hall of Fame. This is probably the most devastating of all of the tracks on \u201cDays of Unrest\u201d because a song Woody wrote about a plane crash in 1948 that killed 28 undocumented immigrants who were being returned to Mexico from California could have been inspired by events happening right now. \u201cYou won\u2019t have a name when you ride the big airplane\/all they will call you will be \u2018deportees,\u2019\u201d Guthrie wrote, because the news reports about the crash only listed the names of the crew members.<\/p>\n

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\u201cJoan (Baez) texted me this morning; she said, \u2018We may not be able to turn the tide, but we can save a few fishes,\u2019 and that\u2019s what we\u2019re doing.\u201d<\/p>\n<\/div>\n

Pete Seeger was responsible for popularizing it later, and across the decades, \u201cDeportee\u201d has been covered by artists like Billy Bragg, Dolly Parton (on the \u201c9 to 5\u201d soundtrack, as Price points out), Johnny Cash (in the Highwaymen) and, of course, Joan Baez herself, who played it at her induction into the Rock and Roll Hall of Fame. Bruce Springsteen played it recently with Rosanne Cash at the recent \u201cMusic America: The Songs that Shaped Us\u201d concerts held at the Bruce Springsteen Center for American Music.<\/p>\n

Price\u2019s own gateway into the song was watching Baez and a guy named Bob Dylan perform it in the infamous 1976 concert movie \u201cHard Rain,\u201d filmed during the second leg of the \u201cRolling Thunder Revue\u201d tour. \u201cI\u2019ve been playing that since my early 20s because I was obsessed with Bob Dylan and Joan Baez,\u201d Price says, \u201cand we got our hands on a copy of the \u2018Rolling Thunder Revue.\u2019 That was when we were on our Winnebago tour, and we were trying to be like them, but we were at the level of, like, burning our own CDs and making our own merch and living in an RV.\u201d<\/p>\n

As performed by Price, Baez and Memphis Mariachi, their version of \u201cDeportee\u201d manages to be everything: a lament, a celebration of the lives lost, a tribute, a reminder. \u201cDeportee\u201d as performed by anybody is always heartbreaking, because there is no alternate interpretation. The fact that this story from 1948 is 100% relevant in 2026 is devastating. Baez was seven when the plane crash happened. This is still recent history, and Price is aware of that, noting in the press announcement that \u201cProtest music is not history.\u201d<\/p>\n

\u201cI wish everybody would cover it,\u201d Price told Salon about \u201cDeportee,\u201d \u201cBecause it needs to be sung and we cannot look away from what is happening right now. We cannot act like this is normal. I mean, I think a lot of people think that I\u2019m radical because I\u2019m talking about this stuff. But I think 20-30 years from now, we\u2019re going to say, \u2018Why are more people not concerned about the way that folks are being treated right now. It\u2019s inhumane.\u201d The video released to accompany the song underscores all of this, as did Price\u2019s introduction of \u201cFu*k ICE\u201d that she offered when she performed it at the Newport Folk Festival last year.<\/p>\n

\u201cThat\u2019s why I\u2019m really proud to be with The Florence Project; they help people kind of one at a time,\u201d Price continued. \u201cJoan (Baez) texted me this morning; she said, \u2018We may not be able to turn the tide, but we can save a few fishes,\u2019 and that\u2019s what we\u2019re doing. That came from the Florence Project folks, and it\u2019s just the least that we can do in this moment.\u201d<\/p>\n

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(Stephen J. Cohen\/Getty Images)<\/span> Margo Price performing at Railbird Music Festival<\/p><\/div>\n

If you\u2019re not familiar with legendary Austin singer-songwriter Blaze Foley, Price\u2019s cover of his song \u201cOval Room\u201d will make you want to go and listen to the rest of his work. The song was originally written in 1984 about Ronald Reagan and yet it remains absolutely relevant: \u201cIn his oval room, in his rockin\u2019 chair\/he\u2019s the president, but I don\u2019t care\/He\u2019s a businessman, he got business ties\/He got dollar signs in both his eyes,\u201d it begins, and moves on from there.<\/p>\n

Price delivers \u201cOval Room\u201d with the same steely, straight-ahead tone that Foley had, offering a very faithful reading of the original \u2014 but that\u2019s not meant as an insult or a diminishment of Price\u2019s approach. Sometimes a great song shows you how it wants to be performed. It\u2019s a great song with clear, unambiguous lyrics, and to do anything else to it would have been unnecessary. Her read on how to present all of the material on this record is absolutely correct.<\/p>

Read more Trump\u2019s slow-motion dismantling of elections<\/a><\/p>\n

Price told Salon, \u201cWe were all over the south, and we were playing that song, and people were just so fired up. I mean, I just played it in Dallas, in Austin, and Houston, and in Dallas, I got a standing ovation, like with Willie\u2019s crowd, and it just feels good to sing. I want to be doing everything I can to change the world, and it\u2019s hard to know where to start, but I guess this song is as good a place as any.\u201d It was also a popular request at the merchandise table. \u201cEverybody wants \u2018Maggie\u2019s Farm.\u2019 Everybody wants \u2018Oval Room.\u2019 They want to buy the record. Okay, when we get home and get a break from touring, I\u2019m going to go back in.\u201d<\/p>\n

Threading through the record are three Spanish-influenced instrumentals with \u201cSan Marcos\u201d in the title; one opens and closes the record, and there\u2019s one in the middle as an aural palate cleanser before the high-energy romp of the end of the \u201cmixtape\u201d that begins with the Charlie Daniels cover and ends with \u201cMaggie\u2019s Farm.\u201d<\/p>\n

When Salon suggested that they felt like a movie soundtrack, Price confirmed that they were written for a movie that never got made. \u201cWe had this phase where we were playing these gut strings [guitars] all the time, and there was a movie soundtrack that was supposed to be happening . . . I was always so sad that that instrumental piece fell by the wayside, and then as the shape of the album kind of started to reveal itself, I thought, \u2018I\u2019m going to pull that back up.\u2019 Price also confessed, \u201cWe\u2019re pulling from Bob Dylan, \u2018Pat Garrett and Billy The Kid.\u2019 We have the Bob Dylan songbook and what me and my husband do for fun is just open a page and play whatever song is on that page.\u201d<\/p>\n

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\u201cI want people to feel, I want people to think, think with their heart, and I want them to maybe bend their mind a little bit. Everybody needs to keep an open mind these days.\u201d<\/p>\n<\/div>\n

The instrumentals definitely serve as a unifying element. \u201cSan Marcos\u201d sets the scene as the first track, before handing the listener off to \u201cDe Colores.\u201d \u201cSan Marcos Theme\u201d arrives midway as an aural palate cleanser before Price raises the energy another notch in the back half, the sequence that begins with the Charlie Daniels cover and ends with \u201cMaggie\u2019s Farm.\u201d And then \u201cSan Marcos el Fin\u201d gently escorts the listener out of this particular room. The instrumentals uplift the presentation of the other tracks.<\/p>\n

\u201cLong Haired Country Girl\u201d is a delightful, gender-swapped version of none other than Charlie Daniels\u2019 \u201cLong Haired Country Boy,\u201d and given Daniels\u2019 conservative politics, Salon asked Price what it felt like singing a song by someone who might not be happy about it?<\/p>\n

\u201cMaybe he wouldn\u2019t be. Maybe he\u2019d like it. I think I\u2019m a great performer and I don\u2019t think anybody could watch me and say that I don\u2019t do a good job of it and that I don\u2019t embody those lyrics. I think that songs can surpass the cultural norms that somebody thinks . . . But I like that song, I grew up on that song, and I feel the lyrics when I sing it, and it was kind of a way of showing that people have more than just this one side that they think I am.\u201d<\/p>\n

Price laughed when it was suggested that the early track \u201cCan\u2019t Stand Still\u201d reads like an anti-trad wife anthem. \u201cI wrote that song before I had kids, wrote that song a long time ago, and I remember showing it to my husband, and I was like, this is what I feel. I\u2019ve kind of never been a homemaker . . . he does most of the cooking and grocery shopping, and it works out. We got a good thing going because you know that I don\u2019t really like to do dishes either. It\u2019s not good for my guitar playing fingernails.\u201d<\/p>\n

Bob Dylan\u2019s \u201cMaggie\u2019s Farm\u201d (from 1965\u2019s \u201cBringing It All Back Home\u201d) has, across the years, been co-opted as political protest by artists from The Specials (when Margaret Thatcher was prime minister) to Rage Against The Machine. It\u2019s also been covered by the Grateful Dead and Solomon Burke (who actually released it before Bob\u2019s version came out). On \u201cDays of Unrest,\u201d Price borrows a heaping serving of Newport \u201865 (yes, that Newport), but Price told Salon that most of the inspiration for her high-octane cover came from Linda Gayle\u2019s incredible country-garage version from 1965. It\u2019s absolutely fantastic.<\/p>\n

\u201cWhen I first moved to Nashville I had this boyfriend,\u201d Price said, \u201cAnd we didn\u2019t make it, but he\u2019d given me \u2018The Essential Bob Dylan,\u2019 and I sat around in my apartment smoking the little crumbs of weed that I had left, and listening to \u2018Maggie\u2019s Farm\u2019 on repeat. I love that song, but I never thought about covering it until I heard Linda Gayle\u2019s version, and I almost don\u2019t even want to tell anybody about it because it\u2019s like my little secret weapon.\u201d<\/p>\n

She continued, \u201cWe added in a couple more stops and split it up even a little bit more, tried to make it our own, but we just had so much fun. And then I had a dream that I was singing it at Newport, and that we were doing this a cappella-like starter that we do, this like slowed down, three-part harmony, and that was my mushroom dream that I had, and that\u2019s worked out quite well. That song\u2019s been really good to us. It\u2019s just contagious. It\u2019s like a magic trick.\u201d<\/p>\n

None of this is new territory for Margo Price, who has been speaking up and speaking out for some time, which shouldn\u2019t be a surprise to anyone coming to her shows, but there are an equal number of artists who aren\u2019t offering any opinion, or offer the excuse that they want everyone to feel welcome at their shows. Price told Salon, \u201cYou know what? More than everyone feeling welcome at my shows \u2014 which obviously I do want people to feel safe and welcome and loved. But I want people to feel, I want people to think, think with their heart, and I want them to maybe bend their mind a little bit. Everybody needs to keep an open mind these days.\u201d<\/p>\n

She continued, \u201c. . . It\u2019s hard to speak out. It\u2019s scary, and I don\u2019t want to divide people. I mean, the thing that I tried to do subversively with this album is on the cover. I\u2019m holding a gun. I mean, there\u2019s bear wallpaper behind me. I come from a rural, a very rural area \u2014 and Jason Aldean can kiss my ass because my town has 3,000 people in it; try that in a small town. And I cover a Charlie Daniels song, and we all know Charlie Daniels\u2019 politics. I think people are more complex than we think; people are more down the center than we think. I wish that we could all see that we all do want the same thing; we all want our children to be safe. Everybody just thinks they have a better way of getting there.\u201d<\/p>\n

\u201cDays of Unrest\u201d is available now on streaming platforms and on vinyl, with a portion of proceeds going to the Florence Project, an organization that provides free legal services, social services, and advocacy to immigrants facing detention and potential deportation. Price is on tour this summer, playing on the West Coast in July, headlining the Minnesota State Fair in August, and performing at Farm Aid (where Price serves on the Board of Directors) in September, along with other solo and festival dates.<\/em><\/p>

Read more The race to unseat Susan Collins is resetting around abortion<\/a><\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Margo Price’s furious protest songs meet the moment<\/p>\n","protected":false},"author":1,"featured_media":965,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[1291,400,1292,120,1293],"class_list":["post-968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-country-music","tag-interview","tag-margo-price","tag-music","tag-protest-songs"],"yoast_head":"\nMargo Price\u2019s furious protest songs meet the moment - Relocation Across America<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/relocationacrossamerica.com\/?p=968\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Margo Price\u2019s furious protest songs meet the moment - 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