It’s critical that you see “Coyote vs. Acme”
If "Coyote vs. Acme" doesn't get the support it deserves, Warner Bros. wins
“Travelin’ Thru” is the Dolly Parton song that can’t be forgotten
Dolly Parton's anthem for "Transamerica" proves doing what’s right is a timeless endeavor
“Teenage Sex and Death at Camp Miasma” made me want to date again
Jane Schoenbrun’s freak-matching film, "Camp Miasma," moved me to swear off swearing off love
“Teenage Sex and Death at Camp Miasma” withers in metaphor Hell
Jane Schoenbrun's "Camp Miasma" honors and analyzes slashers — but skips the thesis
“It Ends” beat Hollywood at its own game to reach theaters
Move over "Obsession," step aside "Backrooms" — "It Ends" fought to define Gen Z cinema
“The End of Oak Street” does pastiche right
In a studio culture obsessed with nostalgia, "The End of Oak Street" knows what we truly want
“The X-Files” still make us want to believe
Chris Carter's new director's cut of the 2008 "X-Files" movie indicates a broader trend toward creativity
“Ice Princess” quietly defined Hayden Panettiere’s whole career
In the 2005 film, Panettiere and Michelle Trachtenberg's search for greatness feels eerily prophetic
“Her Private Hell” belongs to Sophie Thatcher
"Her Private Hell" finally gives Sophie Thatcher the role she deserves
Why Netflix only champions crap
"The Whisper Man" rounds out a trio of original films revealing Netflix's cruel intentions