“The Social Reckoning” is the journalism thriller’s last stand
Aaron Sorkin's "The Social Network" semi-sequel "The Social Reckoning" takes on much more than Facebook
The Daily Wire is too mad to make a movie
Ben Shapiro's studio still hasn't learned that owning the libs isn't a plot
There’s no solving a problem like Tom Cruise’s “Digger”
"Digger" indicts its audience when it should point the finger at itself
At 30, “That Thing You Do!” is the perfect fake one-hit wonder
Tom Hanks' directorial debut produced a fake song that was undeniable
The Cornell case puts “Promising Young Woman” back in focus
The Cornell Daily Sun staff's courage points to what "Promising Young Woman" got right
Why Gen Z sees itself in “Primetime”
A24's Chris Hansen biopic, "Primetime," cleverly reveals the surveillance state's rapid escalation
In Werner Herzog’s “Bucking Fastard,” two can be as lonely as one
Werner Herzog’s "Bucking Fastard" says even the closest companions can be starved for love
Brad Pitt’s comeback act has faltered
"Avengers Endgame: Encore" snapped its fingers to make Pitt's "Heart of the Beast" disappear
“Primetime” isn’t Chris Hansen’s story — it’s ours
Robert Pattinson's role as "To Catch a Predator" host Chris Hansen turns the tables on its audience
“The Debut” finds joy and fear in starting over
Julianne Moore’s character in A24's "The Debut" finds a new passion, and herself, on the local stage