Madonna’s irresistible contradictions
With "Confessions II," Madonna reworks her scrapped biopic into an album worthy of the big screen
Taylor Swift’s wedding proves AOC right: There are no good billionaires
The pop star built an empire on relatability until she became part of the ultra-rich
The trademark wars of influencer culture
From "Hot Girl Walk" to "Hot Girls Read," girlboss creators are weaponizing trademark law
Trump resurrects oldest GOP scare tactic over democratic socialist wins
Recent wins by democratic socialists have Trump reviving Cold War-era fears
Time’s up for Graham Platner
The sexual assault allegations against Maine's Democratic Senate nominee are credible — and fatal to his candidacy
The golden ambition of “Legally Blonde” can’t be tarnished
Regardless of what “Elle” is doing, the 2001 movie still proves a woman’s limitless potential
Let’s fix America with grammar
In the MAGAsphere, sloppy language leads to foolish thoughts, and much worse
“The Invite” debunks heteronormativity
Olivia Wilde's third film is her best yet, a mature comedy that asserts no one's exempt from romantic hang-ups
Abundance politics may not win over conservative Christian voters
A new study finds conservative voters value religious identity over economic policy
How “Spirited Away” inspired “Avatar: The Last Airbender”
Nickelodeon's beloved cartoon saga is one of many modern fantasies inspired by Hayao Miyazaki