“Disclosure Day” is Steven Spielberg’s last word for humanity
Steven Spielberg returns to sci-fi with a plea for compassion. Will we listen?
The cinema spoof will never die
"Scary Movie" and "Stop! That! Train!" revamp spoofs for a generation in need of high-concept stupidity
The best movies of the year (so far) are experiments in big-swing cinema
Outside "good" or "bad," 2026's finest films have enough risk-taking creativity to restore your faith in film
Wait, is “Backrooms” actually about Silicon Valley?
Kane Parson's psychological horror is a unique commentary that's as online as we are
John Travolta’s directorial debut is a rare piece of spellbinding autofiction
"Propeller One-Way Night Coach" finds John Travolta indulging in auteur theory. It's not to be missed
We’re trapped in “Backrooms” hell
"Backrooms" leaps from liminal horror YouTube to chronicle our inadvertent journey into a void
Jake Gyllenhaal’s masculinity crisis
With "In the Grey," Gyllenhaal acts machismo to the point of parody. What's muscling him out of better roles?
“The Sheep Detectives” cloaks an urgent message in woolly clothing
"The Sheep Detectives" cloaks an urgent message in wooly clothing
“Blue Film” is the gay indie that won’t let you look away
"Blue Film" is much more than its shocking premise, probing sexuality with complete candor