The golden ambition of “Legally Blonde” can’t be tarnished
Regardless of what “Elle” is doing, the 2001 movie still proves a woman’s limitless potential
“The Invite” debunks heteronormativity
Olivia Wilde's third film is her best yet, a mature comedy that asserts no one's exempt from romantic hang-ups
“Blow Out” exposes the real American way
The 45th anniversary of "Blow Out" meets America's 250, proving corruption is as American as apple pie
Of course, Elon Musk adores Armie Hammer’s terrible comeback film
"Citizen Vigilante" is a xenophobic pile of garbage, perfect for a hungry fly like Elon Musk
In “Couture,” Angelina Jolie rethinks aging onscreen
"Couture" finds Angelina Jolie in peak form, wrestling with tough decisions the actress knows all too well
Steven Spielberg’s “A.I. Artificial Intelligence” foretold our solitude
Spielberg's "A.I." looks far more prescient now, tackling the ChatGPT era with alarming urgency
“Supergirl” proves Hollywood studios still don’t trust women superheroes
Milly Alcock brings a fresh energy to "Supergirl" that's snuffed out by a risk-averse studio culture
Dragons are cool, but werewolves are cooler
Robert Eggers' "Werwulf" goes 18 claws down on mythical creatures this Christmas
Google’s investment in AI tools for A24 sparks backlash
Google's investment in AI tools for A24 sparks backlash
Madonna’s irresistible contradictions
With "Confessions II," Madonna reworks her scrapped biopic into an album worthy of the big screen