“Toy Story 5” can’t conquer tech
"Toy Story 5" contends with the iPad kid, but refuses to disparage devices in a critical moment
“Blue Film” is the gay indie that won’t let you look away
"Blue Film" is much more than its shocking premise, probing sexuality with complete candor
“Disclosure Day” is Steven Spielberg’s last word for humanity
Steven Spielberg returns to sci-fi with a plea for compassion. Will we listen?
The cinema spoof will never die
"Scary Movie" and "Stop! That! Train!" revamp spoofs for a generation in need of high-concept stupidity
The best movies of the year (so far) are experiments in big-swing cinema
Outside "good" or "bad," 2026's finest films have enough risk-taking creativity to restore your faith in film
Wait, is “Backrooms” actually about Silicon Valley?
Kane Parson's psychological horror is a unique commentary that's as online as we are
John Travolta’s directorial debut is a rare piece of spellbinding autofiction
"Propeller One-Way Night Coach" finds John Travolta indulging in auteur theory. It's not to be missed
We’re trapped in “Backrooms” hell
"Backrooms" leaps from liminal horror YouTube to chronicle our inadvertent journey into a void
“Maddie’s Secret” is perfectly imperfect
In his brilliant tribute to the TV movie melodrama, John Early puts on the wig and expels his inhibitions